And so do his clothes. That is because he is not wearing clothes at all. Alucard turns his own skin, or whatever passes for the skin of the undead vampire, into an illusion of clothing. So he is technically naked in all his appearances on the show. The most famous image of Alucard from the show and the manga is him with a demented smile on his face, wielding a couple of gigantic pistols while covered in blood.
But the fact is, those guns that Alucard is always shown wielding are actually pretty pointless. Alucard is so ridiculously overpowered that he is more than capable of rending his enemies limb from limb without any kind of weaponry. The only reason why Alucard wields those pistols is that they are fun to use. The series is kickstarted when Alucard saves Seras from certain death at the hands of a ghoul by turning her into a vampire. However, later references to that event reveal that there was a way to save Seras without turning her into one of the undead.
Yet Alucard chooses to do so anyway. That is because, after centuries of walking the Earth alone, Alucard had grown lonely. Turning Seras was his way of creating a companion for himself, although Alucard would scoff at the idea if you ever suggested it to him. Alucard may act like he is above humans at all times, but the truth is he has a great deal of respect for Humanity, and even considers them God's finest creations.
Alucard's ability to transform into a wolf comes from the fact that he died and became a vampire during a full moon. Alucard was then kept by the Hellsing family through the centuries until he is bequeathed to Integra by her father, Arthur. This pledge of his has continued to his successive masters only Arthur and Integra are confirmed but only because Alucard considered them to be worthy of his servitude. Alucard goes on to present what he believes is the reason for Walter's betrayal ; his fear of becoming old and useless.
To prove his abilities to himself, Walter desired to destroy Alucard , and allowed this obsession to consume him. In the series reboot Castlevania: Lords of Shadow, Dracula is reimagined as an 11th-century holy knight named Gabriel Belmont and serves as the central character of the game and its two sequels. The series portrays Dracula in a more sympathetic light, compared to his original counterpart.
Alucard was born a human, but because of the events that transpire in the game, he becomes a Vampire. A Dhampir, also called a Daywalker, is the child of a vampire father and a human mother. Dhampir have the powers of a vampire , as their powers are similar to those of vampires, but without all of the usual weaknesses.
Anyway the mirror of fate is in Alucard's coffin room when he first wakes up and he clearly has no reflection there. This made Alucard Trevor's father , as well as making all of the Belmonts related to Dracula. He then transformed his son, Trevor , into a vampire against his will.
In the Gonzo anime's final episode, Integra is shown giving him permission to release to level one, the state where he is in a red version of the black straightjacket-like garb he is shown in when Integra finds him in her youth. In the manga, Alucard is shown to be wearing a black leather jumper when he is at the Level One release state. Alucard can often be heard stating what level he is releasing immediately prior to combat "Releasing control art restriction to level two".
Perhaps this is a requirement of the release mechanism, but this has never been confirmed, and is likely a literary device. Another possible reason is that it is to unnerve his opponents as he goes into battle. Given what has been seen of his personality, this is quite likely.
In the manga, Integra requests that Alucard's restriction system be released to Level Zero, the lowest level, allowing him full access to his most devastating and destructive powers. It is clear in the Gonzo series that Integra herself is in control of Alucard's release states, but in the manga she appears to have no physical control over his powers.
Instead, a given release state appears to simply be an order like any other she might give:. Commencing the Cromwell invocation. Ability restrictions lifted for limited use until the enemy has been rendered silent. It is noticeable that Alucard's attire sometimes changes according to how much power he is using: as he charges up to engage in battle, first his sunglasses, then his fedora will disappear; in the manga, he also removes his arms from the sleeves of his coat letting it simply just hang on his shoulders like a cloak whilst he fires from underneath it.
It has been posited that these articles of clothing are direct physical manifestations of whatever system Hellsing uses to control Alucard, with his leather straight jacket representing his true nature.
However, in Hellsing OVA II , in the flashback scene where Alucard recalls being beaten by Abraham Van Hellsing, Alucard is still seen wearing these gloves, despite the fact that he was not yet under their control. This is a continuity error, because when compared to the panel from the manga, it shows normal white gloves. In this form he appeared as his former, year-old self as opposed to looking his early 20s with a thick beard and mustache.
He also wore heavy medieval armor with a huge tattered cloak and carried a long sword. However, he quickly returned to his normal form when confronted by Anderson. The gigantic amount of armies that accompanied him in this state, along with the souls of every single person he has ever drank the blood of, accompanies this form as well.
It is debated whether his younger form shown in The Dawn is a "state of release". Some fans claim that the Hellsing family suppressed Alucard's powers, sealing them away into a much smaller body, in order to conduct scientific experiments on him, eventually making him into the vampire that he is in the manga. Others say that he chose this form on his own accord, simply because he can take any form that he likes. In a flashback scene in Volume 4 of the Hellsing manga, we can see the young Walter alongside an adult Alucard after the destruction of the Nazi vampire research program.
In Volume 9, in his "Girlycard" form, Alucard also admits "There's never any meaning in the form that I take". This could indicate that Alucard's appearance is controlled primarily by himself. The particular form I take Hellsing Organization Alucard. Dornez Letzte Bataillon. Villains Wiki. Villains Wiki Explore.
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Alucard Hellsing. View source. History Talk 1. Do you like this video? Play Sound. Drink, and you shall never again be treated like a slave. Drink, and you shall truly become one of us. You will drink blood of your own choosing--wandering the night, powerful and singular; become eternal and complete!
Drink my blood, Police Girl. Seras Victoria! You're pathetic!! Nothing but an useless, sniveling lump of MEAT!! They came here to try and kill us! It no matters what they are. Now they must die! They will be slotted; corpses, let rotten in their graves like filth.
This is just the way it is. This is what has to be done! Alucard then has flashbacks concerning his past possibly his life flashing before him , and relives it form and charges Anderson. Anderson attempts to stop him with more vines but to no avail; Alucard plunges his hand into Anderson's chest, removes both the Nail and Anderson's heart, and rips him in half.
As Anderson's pieces fall, Alucard closes his hand upon the heart and the Nail, destroying them both. Instead of gloating or laughing as with his other defeated foes, Alucard is overcome by grief and screams at Anderson for making the same mistake that he did and starts to sob under his breath. Anderson quietly laughs, however, and says to Alucard "Monsters don't cry. And that's why you became one, isn't it? So you wouldn't have to.
The scene of mourning is then interrupted by a rejuvenated Walter descending from the sky onto Anderson's crumbling remains. Walter explains to his former family how he has betrayed Hellsing of his own free will, and Alucard tells him sorrowfully that his old body was far more beautiful than his new, immortal one. As he sadly kneels in Anderson's ashes, Walter shouts at him to stand up and fight.
Alucard then asks Integra to reaffirm her kill order which she does, to the delight of not only Alucard but The Major and Walter as well. Walter initially seems to have the upper hand since most of Alucard's fighting methods are useless against him.
When he is about to use the Jackal against Walter, the pistol is revealed to be made by Millennium as The Doctor uses his remote to destroy it. Alucard then creates a hellhound out of his body, nicknamed "Baskerville" by Walter, who cuts it in half. A disgusted and confused Luke Valentine crawls out of its body, much to the amusement of Alucard. The hound's corpse and Luke are both then hijacked by Walter's wires , and he begins to control them like puppets.
As he uses them, however, Walter's wires go slack and he coughs up blood due to his hasty transformation. Alucard then shoots the controlled Luke and dispatches the hound after being bitten in half by it. Walter then re-engages a regenerated Alucard himself, cutting his arms and legs off, slicing his torso in half, and suspending him in the middle of the room with wires. After collapsing and regressing in age, Walter then picks up a piece of re-bar and impales what he believes to be Alucard through the heart with it.
In actuality, it was only the body of Luke Valentine disguised as Alucard who, now in the form of a young girl, snappishly punches Walter.
This blow causes Walter to revert back to his year-old body, with Alucard theorizing as to the cause of his regression. Alucard then taunts Walter, telling him that he was afraid of becoming old and useless and that his victory over Alucard would just provide a self-esteem boost. Alucard then begins to absorb the blood from the deceased inhabitants of London and the two defeated militaries.
Alucard continues to absorb the city's dead as Walter vertically bisects him with his wires, which is as futile as his other attacks. Alucard then grabs Walter, who appears to have given up at this point, contemptuously mocks him and Anderson for their respective failures, and prepares to kill Walter.
Alucard inadvertently absorbs his soul as he drinks, and when he does, The Major claims that Alucard has lost. The vampire arrogantly mocks him for saying so, but as he does, he sees the sunrise. As he gazes at it, he recalls that whenever he thought he was about to die, he saw the sunrise in just the same manner. This time, however, for some reason, it seems more beautiful to him than ever before, and he starts to disappear as the Major explains to Integra what is happening.
Integra shouts an order at Alucard not to disappear, but as his numerous eyes continue to close, he tells Integra that there is nothing he can do, and bids her farewell as he closes his final two eyes. All that is left is a bloodstained Hellsing pentagram in one of the cobblestones in the street. In the final chapter, Alucard re-appears in Integra's bedroom after a year absence. He approaches a sleeping Integra and leans down, apparently with the intention of biting her.
Before he can do so, however, Integra wakes up and unloads a handgun into him, knocking him to the floor. The commotion alerts Seras, who kicks open the bedroom door and turns on the lights. The two women find themselves staring at Alucard, who is sitting up against the wall regenerating. She asks him if he is hungry, to which he responds that, after 30 years of not eating anything, of course he is.
When Integra regretfully comments on how old she is now, Alucard simply tells her that it is fine with him. She then smiles, bites her finger, and gives him a drop of blood as Alucard, having finally earned his right to immortality, licks. Alucard's eyes seem to have changed slightly due to possessing only a single soul. Arthur Hellsing was Alucard's previous master before Integra Hellsing.
Nothing is known about their relationship, although it's possible that Alucard respected him. For instance, in the Gonzo anime, when a young Integra stands up to Alucard after he tries to intimidate her in Episode 10, he proclaims "You ARE your father's daughter!
Seras Victoria is Alucard's first fledgling since Mina Harker. Alucard holds deep feelings of admiration towards his fledgling, Seras. He states to Walter and Integra that he turned her into a vampire on a whim based on Seras' own decision to live. He reveals to Walter that he finds her a fascinating creature and seems to admire her will to live despite the hellish events in Cheddar Village.
As he watched her die, he apologized for shooting her and told her it was necessary, and while he watched her die with tears in her eyes, he actually went so far as to hold her hand. While he is frustrated with her refusal to drink blood at first, he was always confident that eventually she would drink and seemed quite proud of her when the time came. Alucard takes on a role of a mentor and teacher to help Seras reach her full potential.
As Seras lost her parents at a young age, her fondness and love for Alucard could be similar to a daughter's love for her father. Hirano said that the love they share could be something closer to the ties of family. We cannot just say it's father and daughter. At times, Seras seems nervous and uneasy around Alucard, mainly due to his constant berating about her being a pathetic vampire during the early days of Seras' vampire life.
She also strongly objects to Alucard's unnecessary cruelty towards human beings. While she does not partake in the slaughter of the SWAT team, she aides Alucard in his combat with Tubalcain Alhambra and later attempts to fight Alexander Anderson though her attack is comically cut short.
As the series progresses, her shy and nervous behavior towards Alucard loosens up a bit once she becomes a full-fledged vampire, and he addresses her by name. During Alucard's fight with Anderson, Seras comes to his rescue in a desperate attempt to save him. After stopping the strike by Anderson, Seras' alarmed calls bring Alucard back from torpor. The last visage in his dream was Seras' face, ending the flashback and chapter with the words: "There is a voice.
There is a voice calling out. Your voice sounds fine regardless; like fragments of shattered melody Go and conquer, Seras. In the end, Seras is the only one who has undying faith of his return. It should be mentioned that Alucard's and Seras' behaviours switch somehow between the first series and the OVA. In the TV series, Alucard seems to be more gentle and understanding compared to his OVA counterpart who is more harsh and Seras seems to be more serious compared to her OVA counterpart.
Alucard is extremely devoted to Integra Hellsing, his current master and the Hellsing Organization's leader. In all versions of Hellsing, Alucard and Integra share a complex but strict "master and servant" relationship. Integra has been connected to him since her father's death. Arthur Hellsing named her the new head of the Hellsing Organization, a decision that drove her jealous uncle to try and kill her. Using the air ducts, Integra snuck into the dungeons of the Hellsing estate's sub-levels recalling that her father said she would find her "salvation" there, should she find herself in the face of death at the hands of her enemies and found Alucard's corpse Hellsing's "greatest legacy" according to Arthur in one of the rooms.
Shortly upon discovering him, Richard finds her and shoots her. The bullet grazed her arm and the blood from her injury fell onto the corpse, awakening Alucard. He kills all the men in the room and severs Richard's arm before pledging his allegiance to his new master.
After protecting her from Richard's final attempt to kill her, Alucard allows Integra to kill her uncle herself. In the television series, Alucard offered Integra to be a vampire shortly after his awakening, but only when she bravely defied him did he consider her worthy of his respect and servitude and fit to be the head of the Hellsing family.
Alucard claimed that Integra "Hasn't changed, she is still so childish
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